The Grande Sonnerie, the most complex Greubel Forsey creation to date, has been awarded the “Mechanical Exception” prize at the Grand Prix d’Horlogerie de Genève.
Conducting 11 years of research, assembling no less than 935 parts, filing two patents, incorporating Greubel Forsey’s third Fundamental Invention (Tourbillon 24 Secondes), developing an acoustic resonance cage generating an extreme purity of sound, installing eleven functional safety features ensuring unparalleled intuitive ease of use, performing a three-year wearing test… As highlighted by this only partial list of the stages involved, the creation of the Grande Sonnerie was indeed a monumental undertaking by Robert Greubel, Stephen Forsey and their team. This timepiece embodies the quintessence of their expertise and their ideal of horological excellence. The Grande Sonnerie is undoubtedly one of the greatest horological complications. Right from the beginning of their partnership, Robert Greubel and Stephen Forsey began reflecting on what their own resolutely contemporary vision of this regal complication might be. For eleven years, the Grande Sonnerie set the cadence of their day-to-day lives, as they worked in the utmost secrecy to assemble the 935 components of this timepiece, and above all to ensure absolute harmony between the movement, the exterior and the acoustics. Its ergonomics guarantee unparalleled intuitive ease of use. To ensure optimal architectural balance, obsessive attention to detail was devoted to the intelligent integration of the most important mechanisms and indications (tourbillon, cathedral gongs, striking hammers, power-reserve display…).
The creators thus succeeded in completing the Grande Sonnerie within a titanium case measuring 43.5 mm in diameter and a height of just 16.13 mm – an entirely reasonable size given the complexity of the timepiece.The acoustics of this Grande Sonnerie are all the more impressive given that the timepiece is water resistant to 3 atm (approx. 30 metres), an outstanding accomplishment serving to ensure that the sound emits a clear, strong strike. Much like a stringed instrument, the titanium acoustic resonance cage was developed inside the caseband itself, so as to provide the loudest possible volume. The extremely pure crystalline strike is transmitted thanks to one-piece double cathedral gongs – on three levels and respectively sounding high and low notes – that are visible through the tourbillon’s lateral window.
The two striking hammers are notably visible on the dial side, featuring flat black-polishing, hand bevelling and polished countersinks. The gold bridge supporting them is relief-engraved and has the same exceptional finishes, as well as straight-grained flanks. While the movement is manual-winding, the striking mechanism also features an automatic winding system by means of a platinum oscillating weight engraved with the Greubel Forsey guiding spirit – and delivering some 20 hours’ strike reserve in Grande Sonnerie mode. The Grande Sonnerie strikes the hours and quarters in passing, while the Petite Sonnerie sounds only the full hours in passing. A Silence mode can be activated via a pusher. On demand, a minute repeater and its additional mechanism strike the time to the exact quarter and minute. This timepiece also includes another feat thanks to a silent speed regulating governor, using an inertia flywheel specially designed to muffle the whirring sound habitually made by traditional strike speed regulation mechanisms.